Read This Review & More Like It On My Blog!First-person perspective young-adult novels and I have a tricky but pretty reliable relationship etched out: if they are handled well and maturely I can legitimately love them, but if the author doesn't have the panache to pass their voice as a believable teen it's a lost cause with no hope. Happily for me, Jessica Martinez shines in her debut novel in the voice, mind and world of Carmen Bianchi, world-class violinist. Believable without trying too hard, without sounding too-mature for her years, Carmen is a great character in a more-than-good-but-not-great novel. Carmen shines in this vehicle, elevating a somewhat overused general plot, infusing it with personality and vitality. This is definitely a case of a character making the book better than it should be, on its own.Carmen is a great character because she's real and grounded. She's anal, insecure, sarcastic, funny, kind and a complete pushover. I liked the multi-faceted and even conflicting aspects of her personality: by no means is this "Medusa-haired" heroine a Mary Sue. Like many teen girls, she constantly searches for approval, to be thought "normal" - usual teen emotions that keep her relatable amid the Grammys, and $1.2 million dollar instruments. She's unabashedly great at said violin as well: winner of a Grammy and world acclaim, she should be arrogant, cocky. . . but she remains herself throughout. I did find a couple of her actions to be pretty annoying and downright silly (her assumptions about Jeremy's email are immediate and judgmental) but I don't have to love everything the character does to love the character herself. She's just so human in an outrageous, extremely pressured position. Under ridiculous strain of her stage-mom's expectations and transferred dreams, Carmen has little to no control over her life. Day-to-day or even what her dreams are is dictated by her mother with "an iron fist with a french manicure." Carmen, sadly, though world-class and immensely talented, never plays for herself or her own pleasure. She plays for her mother to vicariously live a failed career, for a teacher to extend his own impact on the musical world and that is sadly representative for Carmen's entire life. As music is so personal with an almost tangible impact upon Carmen, it's incredibly easy to commiserate and mourn with her as her joy in violin is turned into something else.Other characters sadly lack the vivacity and life of Carmen. Her taciturn Ukrainian teacher Yuri is particularly easy to visualize but lacks any dimensions or personality outside of "gruff old man." I found Carmen's mother, always referred by Carmen with her given name of Diana (which I also very telling of their relationship) to be a depressingly one-dimensional antagonist. She seems to have no love or empathy in her for her daughter or her largely unseen husband Clark - focusely solely on her daughter's career as a surrogate for her curtailed one earlier. Diana's motivations for pushing Carmen would be much more understandable, even palatable, if they were for Carmen (wanting her to be happy, great at what she loves, follow her dreams) instead of trying to mold her into Diana II. Jeremy King, he of the not-so-subtle-last-name also failed to impress me the first half of the novel. Though I didn't jump on Carmen's hate bandwagon he makes a pretty bad, then pretty bland impression. I never saw his supposedly irresistible charisma - hell, I barely saw any personality from him! He was more of a drain on Carmen than a support, in my opinion, and I would've liked a nicer, kinder character infinitely better. He's supposedly Carmen's love interest I didn't really feel the chemistry between the two until they were pretty much de facto paired up. They truly work together and the novel is most evoactive when either Jeremy or Carmen play the violin. The descriptions and personal reactions to music are beyond compare in this novel: they stand as my favorite parts of the entire book.The finale of the novel took me by surprise, while being absolutely fulfilling. Not the big reveal/betrayal, but the action stemming from the event. Carmen took me by complete surprise, but did what ultimately feels right for her. Regardless of how you feel about her decision, at least this time, for once, it was HER decision. Not her mother's, not Yuri's, not the doctor's and not even Jeremy's. . . purely and wholly Carmen. The ending is rather open-ended for a conclusion to a standalone novel, but I loved how the author left it. The world seems limitless, with anything possible for Carmen.
