Pressia Belze lives in a harsh and hard world, a world wracked by wars and detonations, separations and hatred. Outside of the Dome that protected the city and people inside from the world-ending Detonations of nine years before, everything is warped, twisted, fused, changed. Pure is definitely a striking and original dystopic debut: twists, turns and betrayals come and go and always turn out different than expected, harder parts of life are not glossed over, and the omnipresent feeling of danger and being watched all lend themselves to an engrossing, enveloping and often disturbing read. Pressia and the story of her struggles are one of the better examples of these two genres (dystopia and post-apocalyptic) I've read and is a promising beginning to a series. Through its occasional and minimal stumbles, Pure's plot is addictive and striking: this is not a novel that you will want to put down and continue later.One of the things I liked best about this novel and author was that Pure is a very developed and thought-out novel. This is a world that is utterly destroyed and ripped apart in a frighteningly possible way, very alien to our current situation and yet it doesn't take too much of a stretch of imagination to believe in Baggott's harsh and unyielding future. The dystopic elements of the darker novel aren't just for show or used as an accent like curtains on a window. No, the controlling forces and people within Dome/the militaristic OSR outside are the main driving forces for the plot and the events throughout Pure, and are happily used well within the frame of the story. This is one of those young-adult novels that features a romance by-plot: it doesn't stop the show to focus on the touchy-feely emotions of the teen leads. I just wish it had been a first person novel: the events of the past, the action, the characters all feel slightly removed thanks to the third person perspective used. With so many shifting, main perspectives floating directing around the story (at least five that I can remember), and with several of those feeling rather unnecessary in the first place, it's hard to feel a concrete connection to all the goings-on at times.Pressia herself is likeable, if distant for the reasons mentioned above. She's strident and tough: a survivor in a harsh reality where millions simply vanished, or were horribly affected by the Detonations. I also really like that Pressia isn't perfect: not in looks, not in attitude, not in her actions. She fumbles, she falls, she makes basic mistakes, but Pressia does not give up or give in: this is a protagonist to respect. What made me happiest is that she is never a stagnant character: she grows, matures, learns and adapts to new information and situations. At sixteen, Pressia is on the run from the violent and bloody leaders of the people outside, Operation Sacred Revolution, her own government. Being in her narrative is a constant whirl of emotion and thought: Pressia is not one to sit idly by - ever. Take her conflicted relationship with the "Pure" Partridge: it's a constant flux of guilt, curiosity, anger, shame, jealousy, and opportunism. It's real and believable. Forced by her own "government" to kill or be killed, Pressia is a girl with limited to no options given to her, so she does what few do and creates her own path. What resonated with me most about Pressia and her life was the unique but clever treatment of memories from Before as currency: I thought that spoke rather elegantly and ingeniously of each characters individual wish and desire for better times, a reminder of hope and love in this dark painful life to get them through the Dusts/Beasts and other terrors. To finish this review, just click here.